{"id":8463,"date":"2013-03-26T13:20:40","date_gmt":"2013-03-26T13:20:40","guid":{"rendered":"https:\/\/royalfamily.org\/march-2013-fortress-in-morocco-eugene-fromentin-2\/"},"modified":"2013-03-26T13:20:40","modified_gmt":"2013-03-26T13:20:40","slug":"march-2013-fortress-in-morocco-eugene-fromentin","status":"publish","type":"post","link":"https:\/\/royalfamily.org\/lat\/march-2013-fortress-in-morocco-eugene-fromentin\/","title":{"rendered":"Mart 2013. – Utv\u0111enje u Maroku, E\u017een Fromenten"},"content":{"rendered":"

Utv\u0111enje u Maroku – E\u017een Fromenten \u00a0(La Ro\u0161el 1820 \u2013 Sen Moris 1876)<\/p>\n

Ulje na platnu<\/p>\n

Dimenzije: 56 x 94 cm<\/p>\n

inv. br. 130\/02<\/p>\n

19. vek<\/p>\n

Beli dvor<\/p>\n

Slika Utvr\u0111enje u Maroku E\u017eena Fromentena deo je stalne postavke Dvorskog kompleksa i izlo\u017eeno je na galeriji prvog sprata Belog dvora. Slika je bila deo inicijalne kolekcije Dvorova, a u dokumentaciji se pominje pod tri sli\u010dna naziva Predeo iz Al\u017eira, Tvr\u0111ava sa vojskom i Utvr\u0111enje u Maroku. Nastala u drugoj polovini 19. veka ova slika predstavlja tipi\u010dan Fromentenov pejsa\u017e inspirisan predelom Severne Afrike, koja je godinama bila nadahnu\u0107e kako za njegova slikana tako i pisana dela.<\/p>\n

Od sredine 18. veka evropski umetnici poput E\u017eena Delakroa i Vilijama Tarnera po\u010dinju da slikaju istorijske i knji\u017eevne teme, kao i pejsa\u017ee, inspirisane \u010desto egzoti\u010dnim predelima i kulturama Orijenta, Severne Afrike i Dalekog Istoka. Biranjem tema koje nisu karakteristi\u010dne za evropsko slikarstvo ovi slikari, romanti\u010dari, na\u0161li su na\u010din da se udalje od stega akademskog slikarstva i da u svojim delima istra\u017ee subjektivni i emotivni do\u017eivljaj kako imaginarnog tako i stvarnog sveta. E\u017een Fromenten je u osnovi bio slikar pejsa\u017enih scena. Temama on se nadovezuje na slikarstvo romanti\u010dara, a slikaju\u0107i realne prizore pribli\u017eava se slikarima impresionizma.<\/p>\n

Na slici Utvr\u0111enje u Maroku u potpuno pustom predelu naslikan je niz gra\u0111evina kubi\u010dnog oblika – tipi\u010dnih za podneblje Severne Afrike. Ove gra\u0111evine sa desne strane uokviruju blago uzvi\u0161enje, dok u daljini, na granici horizonta, formiraju utvr\u0111enje. U pustom predelu ra\u0161trkana je grupa ljudi, prikazanih u pokretu. Kao kontrast pusto\u0161i, gornju polovinu slike ispunjava bistro plavo nebo.<\/p>\n

Jasna i uravnote\u017eena kompozicija slike Utvr\u0111enje u Maroku svedo\u010di o Fromentenovom klasi\u010dnom \u0161kolovanju. Pusti predeo i gra\u0111evine, koje se svojom formom i bojom utapaju u pejsa\u017e, slikani su zemljanim bojama, gde se ljudske figure, kao sitni tamni obrisi, jedva prime\u0107uju. \u0160iroki kadar ove scene gde se detalji stapaju, a akcenat je stavljen na kontrast izme\u0111u puste zemlje i bistrine plavog neba, na sna\u017ean na\u010din prenosi do\u017eivljaj koji je Maroko ostavljao, i danas ostavlja, na evropskog posmatra\u010da.<\/p>\n

E\u017een Fromenten<\/strong>\u00a0bio je francuski slikar i pisac. Ro\u0111en je u La Ro\u0161u u Francuskoj. Umesto da u\u010di pravo, u Parizu 1939. godine odlu\u010duje da krene o\u010devim stopama i okre\u0107e se umetnosti. U\u010ditelji su mu bili francuski slikari pejsa\u017ea Remond i Kabat. Godine 1946. prvi put odlazi u Al\u017eir. Iste godine debituje u Salonu predstavljaju\u0107i se sa dve pejsa\u017ene scene, jednom rodnog La Ro\u0161ela, a drugom Al\u017eira. Od tada pa u naredne tri decenije Fromenten se afirmi\u0161e kao slikar egzoti\u010dnih pejsa\u017ea. \u00a0Predeli, ljudi i doga\u0111aji koje sre\u0107e na putovanjima po Severnoj Africi, kasnije Veneciji i Holandiji, predstavljaju umetni\u010dko nadahnu\u0107e kako za pisana tako i slikana dela. Kao slikar etnolog i antropolog Fromenten u svoje pejsa\u017ee i gradske predele uvek uvodi ljudsku figuru \u2013 u daljini, jedva vidljivu, ili u drugom planu, na konju, u hodu \u2013 na taj na\u010din on daje celoviti do\u017eivljaj tih egzoti\u010dnih krajeva koji su ga godinama inspirisali.<\/p>\n

Pored slikarstva Fromenten se bavio i pisanjem. Izlagao je na Salonima u Parizu i \u010desto pisao kritiku istih. Publikovao je dva putopisa sa putovanja po Severnoj Africi i jedan roman pod nazivom \u201eDominik\u201c (1863). Posle jedine posete Holandiji, \u010dije slikarstvo ga je op\u010dinilo, napisao je knjigu pod naslovom \u201eStari umetnici\u201c (1876) gde je na re\u010dit na\u010din i iz li\u010dnog ugla istra\u017eio Flamansko i Holandsko slikarstvo.<\/p>\n

\"BD24ww\"<\/a> \"BD24w\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Utv\u0111enje u Maroku – E\u017een Fromenten \u00a0(La Ro\u0161el 1820 \u2013 Sen Moris 1876) Ulje na […]<\/p>\n","protected":false},"author":1001015,"featured_media":8454,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[89],"tags":[],"class_list":["post-8463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-umetnicki-predmet-meseca"],"acf":[],"yoast_head":"\nMart 2013. - Utv\u0111enje u Maroku, E\u017een Fromenten - The Royal Family of Serbia<\/title>\n<meta name=\"description\" content=\"Utv\u0111enje u Maroku - E\u017een Fromenten \u00a0(La Ro\u0161el 1820 \u2013 Sen Moris 1876) Ulje na platnu Dimenzije: 56 x 94 cm inv. br. 130\/02 19. vek Beli dvor Slika\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/royalfamily.org\/lat\/march-2013-fortress-in-morocco-eugene-fromentin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mart 2013. - 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